![]() They were already a very tightknit band, and I could tell right away that they were on the right track to draw people’s attention to where the music came from. "They were full of energy and obviously influenced by people like Jimmy Reed and Chuck Berry, a rock and roll band with blues overtones. This was the kind of music I’d always played and loved, and here was a good opportunity for me to join in."ĭo you recall your initial impression of the Rolling Stones, the first time you ever saw them play? "It was a very well-knit society, really, and it was a very exciting time to hear all these new bands coming up. Everybody was on the same circuit, all just playing at the same clubs up and down the country. It was a new generation that was discovering this music for the first time, and almost overnight, took over club life. "It replaced traditional jazz very quickly. What was the British club scene like in the early and mid '60s when you and so many other young musicians were basing their style on American blues? “So I provide the freedom for them to continue their careers and explore what they can do with the music.”Įverybody was on the same circuit, all just playing at the same clubs up and down the country “I’ve always aimed for quality in the music and picked musicians I like to play with and enjoy listening to,” he says. Besides the holy trinity of guitarists - Clapton, Peter Green and Mick Taylor - the list contains the likes of Buddy Whittington, Coco Montoya, Harvey Mandel, Jeremy Spencer and Walter Trout bassists Jack Bruce, John McVie, Larry Taylor and Andy Fraser and drummers Mick Fleetwood, Jon Hiseman and Colin Allen. Mayall’s bands have been referred to as finishing schools, with more than 100 different lineups over the past 57 years. However, for Telephone Blues, Eric’s playing was really terrific and remains one of his greatest pieces of work at that time.” “He wasn’t interested in doing his feedback thing in the middle. W E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE|-^5-|-12-| Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE E MajorE|-|-12-||īB|-|-13-13-|| Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE E MajorE S S E MajorE E MajorE E MajorE e ![]() ![]() Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE Q Q E MajorE E MajorE Q E MajorE S S e S S E MajorE E MajorE Q E MajorE S S E MajorE E MajorE E MajorE E MajorE E MajorE|-|-||-|-|īB|-|-||-|-| Q E MajorE S S e S S E MajorE E MajorE Q E MajorE S S E MajorE E MajorE E MajorE E MajorE E MajorE|-|-| ![]() Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE E MajorE S S E MajorE E MajorE a E MajorE E MajorE E MajorE|-|-|ĭ MajorD|-5-5-5-7-|-5-7p5-7-| Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE E MajorE S S E MajorE E MajorE E MajorE a E MajorE E MajorE|-|-|īB|-|-5-| Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE E MajorE S S E MajorE E MajorE E MajorE E MajorE E MajorE|-|-| W Q Q Q E MajorE E MajorE Q E MajorE S S e S S E MajorE E MajorE E MajorE E MajorE E MajorE S S E MajorE E MajorE E MajorE E MajorE E MajorE|-|-||-|-|īB|-|-5\-||-|-| E MajorE S +S Q + E MajorE E MajorE E MajorE|-|-|īB|-|-| Gtr I (E A D G B E) - 'Eric Clapton - Electric Guitar' ![]()
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